Nora

Characters with hypocrisies and secrets, with immeasurable lust for power, especially over the ones that are closest, with a careful management of their charms and seduction instruments. Ibsen in the flesh. In addition, frantic breakings of rhythm, temporal dilations, followed by a set of abrupt climaxing intermezzos. And above all, reigns a central theme: an irreversible and hopeless lack of communication. Radu Alexandru Nica uses extreme plasticity and the power of suggestion emanated from the movements of the two partners that never succeed in meeting each other, to "incarnate" the painful limits of communication. The characters talk, reach out to touch each other, but their hands and eyes never meet. The perspective has a strange pictorial feature, their bodies are very close, but placed on different trajectories. Their meeting, at a minimum point of truth, fails with a mathematical precision.